Kanté's shot count in Al Ittihad

**Title: Kanté's Shot Count in Al Ittihad: A Comparative Analysis with Jean-Luc Godard**

**Introduction**

Kanté, a French filmmaker renowned for his experimental and critical approaches, is celebrated for his use of high- vibratory shots, often played over long periods. His works are characterized by a deep engagement with the subject matter, frequently emphasizing psychological and symbolic dimensions. In contrast, Jean-Luc Godard's *Al Ittihad* captures a poignant moment in human experience, blending symbolic elements with intimate details.

**Kanté's Shot Count: A Critical Analysis**

Kanté's films typically feature over 30 shots per film, often spanning long periods. This high shot count reflects his preference for a dynamic, immersive narrative, where each frame is meticulously crafted to convey the essence of the scene. His work is deeply rooted in identity and gender, offering a nuanced exploration of these themes through visual storytelling.

**Godard's Approach: Symbolism and Identity**

In contrast, Godard's *Al Ittihad* is more introspective, using symbolic elements to represent the birth experience of a man and his daughters. The film's structure mirrors human life, with close-ups and symbolic shots that highlight emotional depth and personal reflection.

**Comparative Analysis**

The stark difference in shot count between Kanté and Godard highlights a fundamental aspect of their styles. Kanté's high shot count emphasizes technological and visual immersion, while Godard's film prioritizes emotional and symbolic engagement. This contrast underscores the diversity of storytelling approaches in French cinema, each offering unique insights into the human experience.

**Conclusion**

In summary, Kanté's *Al Ittihad* exemplifies his critical and experimental style, with a focus on high- vibratory shots and deep engagement with subject matter. In contrast, Godard's *Al Ittihad* is more symbolic and introspective, offering a different perspective on human experience. Both films contribute to our understanding of French cinema, each presenting a unique way to explore identity, gender, and the human condition.